{"title":"3 for £80 - Tone Poet","description":"","products":[{"product_id":"all-in-my-mind-tone-poet-series-vinyl-lp","title":"All In My Mind (Tone Poet Series): Vinyl LP","description":"\u003cp\u003eAfter his 2016 return to Blue Note where he first made a name for himself with a run of classic soul jazz albums between 1968-70, Hammond B-3 organ legend Dr. Lonnie Smith recorded All In My Mind during his 75th birthday celebration in July 2017 at the Jazz Standard in New York City with guitarist Jonathan Kreisberg and drummer Jonathan Blake. The album gets its first-time vinyl release with this 5-song Tone Poet Edition which features spirited interpretations of songs by Wayne Shorter (“Juju”), Freddie Hubbard (“Up Jumped Spring”) Paul Simon (“50 Ways to Leave Your Lover”), and more.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eBlue Note Tone Poet Series\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003c\/p\u003e\n\n\u003cp\u003eExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note\/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\u003c\/p\u003e\n\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003cbr\u003e\nSide A\u003c\/strong\u003e\u003cbr\u003e\n1. 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Brooks is joined here by Johnny Coles on trumpet, Kenny Drew on piano, Wilbur Ware on bass, and Philly Joe Jones on drums. Brooks penned five of the six tracks, showcasing his unique compositional talent in addition to his pleading and soulful tenor sound. Highlights include the Side 1 opener “Talkin’ About” and the modal masterpieces “Dhyana” and “David the King.”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eBlue Note Tone Poet Series\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003c\/p\u003e\n\n\u003cp\u003eExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note\/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\u003c\/p\u003e\n\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e\n1. Talkin’ About\u003cbr\u003e\n2. One For Myrtle\u003cbr\u003e\n3. Dhyana\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e\n1. David The King\u003cbr\u003e\n2. Stranger In Paradise\u003cbr\u003e\n3. The Waiting Game\u003c\/p\u003e\n","brand":"Tina Brooks","offers":[{"title":"Default Title","offer_id":44897199980825,"sku":"893419","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/files\/TINA_BROOKS_WAITINGGAME_PROD_SHOT.webp?v=1772025074"},{"product_id":"katanga-lp-tone-poet-series-vinyl-lp","title":"Katanga! LP (Tone Poet Series): Vinyl LP","description":"\u003cp\u003eWho are these guys? That’s the usual reaction of anyone fortunate enough to have come across this remarkable (and remarkably rare) session from 1963. The last of six albums saxophonist Curtis Amy recorded for Pacific Jazz in the early-1960s, Katanga! transcends not only the rest but plenty of other recorded jazz from that period as well.\u003c\/p\u003e\n\n\u003cp\u003eTrumpeter Dupree Bolton’s brilliant playing here is simply breath-taking in one of his very few recorded appearances during a career plagued with personal problems. Bolton and Amy are joined by guitarist Ray Crawford, pianist Jack Wilson, bassist Victor Gaskin, and drummer Doug Sides on this gem of an album.\u003c\/p\u003e\n\n\u003cp\u003eKatanga!, a rare gem from the Pacific Jazz catalog will also be released for the first-time digitally. The Tone Poet Vinyl Edition of Katanga! 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Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e\n1. Katanga \u003cbr\u003e\n2. Lonely Woman\u003cbr\u003e\n3. Nativer Land\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e\n1. Amyable\u003cbr\u003e\n2. You Don’t Know What Love Is\u003cbr\u003e\n3. A Shade of Brown\u003c\/p\u003e\n","brand":"Curtis Amy, Dupree Bolton","offers":[{"title":"Default Title","offer_id":44897200570649,"sku":"3514924","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/files\/SharedImage-117658.webp?v=1772024953"},{"product_id":"the-all-seeing-eye-tone-poet-series-vinyl-lp","title":"The All Seeing Eye (Tone Poet Series): Vinyl LP","description":"\u003cp\u003eOn October 15, 1965, tenor saxophone master and composer Wayne Shorter recorded The All Seeing Eye, a brilliant and ambitiously multi-layered album for Blue Note. 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Stand-out tracks in a program of four Tyner originals and one standard include the timeless masterpiece “Peresina” and the immersive opening track “Vision.” Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tapes, 180g audiophile vinyl reissues in deluxe gatefold packaging. 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Alto saxophone master \u003cstrong\u003eLee Konitz\u003c\/strong\u003e joins with the great \u003cstrong\u003eGerry Mulligan\u003c\/strong\u003e on baritone saxophone and legendary trumpeter \u003cstrong\u003eChet Baker\u003c\/strong\u003e on a half-live, half-studio program of standards along with one \u003cstrong\u003eMulligan\u003c\/strong\u003e original. The group is supported by bassists \u003cstrong\u003eCarson Smith\u003c\/strong\u003e and \u003cstrong\u003eJoe Mondragon\u003c\/strong\u003e with \u003cstrong\u003eLarry Bunker\u003c\/strong\u003e on drums for this spontaneous and inventive jazz treasure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBlue Note Tone Poet Series\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003cbr\u003e\u003cbr\u003eExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note\/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\u003cbr\u003e\u003cbr\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003cbr\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. I Can't Believe That You're In Love With Me \u003cbr\u003e2. Broadway\u003cbr\u003e3. Almost Like being In Love \u003cbr\u003e4. Sextet \u003cbr\u003e5. Lady Be Good\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e6. Too Marvelous For Words\u003cbr\u003e7.  Lover Man\u003cbr\u003e8. I’ll Remember April\u003cbr\u003e9. These Foolish Things\u003cbr\u003e10. 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Joining the pianist are a cast of hard bop masters including \u003cstrong\u003eHank Mobley\u003c\/strong\u003e on tenor saxophone, \u003cstrong\u003eDonald Byrd\u003c\/strong\u003e on trumpet, \u003cstrong\u003ePaul Chambers\u003c\/strong\u003e on bass, and \u003cstrong\u003eArt Blakey\u003c\/strong\u003e on drums. Highlights from this session include the lead-off track “Junka,” the fiery brilliance of “Minor Meeting,” and Hank Mobley’s sublime soloing on “Royal Flush.”\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eBlue Note Tone Poet Series\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\nThe Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003cbr\u003e\n\u003cbr\u003e\nExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note\/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\u003cbr\u003e\n\u003cbr\u003e\nBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. 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The first session—recorded in December 1959 with \u003cstrong\u003eWynton Kelly\u003c\/strong\u003e on piano, \u003cstrong\u003eSam Jones\u003c\/strong\u003e on bass, and \u003cstrong\u003eRoy Brooks\u003c\/strong\u003e on drums—yielded six of the album’s final cuts including the buoyant opener “Bluesville” and the stunning ballad “Stay As Sweet As You Are.” Red returned to the studio in January 1960 once again with Kelly on piano, but this time joined by \u003cstrong\u003ePaul Chambers\u003c\/strong\u003e on bass and \u003cstrong\u003eJimmy Cobb\u003c\/strong\u003e on drums, a trio that was also \u003cstrong\u003eMiles Davis\u003c\/strong\u003e’ rhythm section at the time having just recorded on \u003cem\u003eKind of Blue\u003c\/em\u003e the year before. 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The action-packed 9-song set (including 7 originals) is a showcase for Wilson’s many strengths as he uses the vibrant colors his dynamic big band to paint a variety of musical scenes including the swaggering blues of the title track, the irrepressible Latin groove of “Viva Tirado,” a fleet-footed version of “Milestones” by \u003cstrong\u003eMiles Davis\u003c\/strong\u003e, and the evocative textures of “Teri” featuring \u003cstrong\u003eJoe Pass\u003c\/strong\u003e on guitar. 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