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Now, expanding the breadth of his expression with his second release \u003cem\u003eWho Are You?\u003c\/em\u003e, the young artist has actualized his sound.  \u003c\/p\u003e\n\n\u003cp\u003e“This record is a culmination of our maturing – as people, as a band, within the music – it’s about figuring out who we are,” says \u003cstrong\u003eRoss.\u003c\/strong\u003e \u003cem\u003eWho Are You?\u003c\/em\u003e features familiar Good Vibes associates \u003cstrong\u003eJeremy Corren\u003c\/strong\u003e on piano, \u003cstrong\u003eImmanuel Wilkins\u003c\/strong\u003e on alto saxophone and \u003cstrong\u003eJeremy Dutton\u003c\/strong\u003e on drums, and introduces their newest collaborator, \u003cstrong\u003eKanoa Mendenhall\u003c\/strong\u003e on bass. Harpist \u003cstrong\u003eBrandee Younger\u003c\/strong\u003e is also featured on five of the album’s tracks. \u003c\/p\u003e\n\n\u003cp\u003eInspired by communication through storytelling – a method he absorbed, in part, working with such creative forces as \u003cstrong\u003eAmbrose Akinmusire, Marquis Hill\u003c\/strong\u003e and \u003cstrong\u003eMakaya McCraven\u003c\/strong\u003e – and with input from producer \u003cstrong\u003eWalter Smith III, Ross\u003c\/strong\u003e assembled the album’s narrative in halves. Tracks 1-7 provide setting, as well as character introductions; tracks 8-15, plot twists. 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First single, ‘Revival’, sets the tone, kicking off with Gregory’s signature hand-clapping. \"Yes, you could say that I went big,\" says Gregory about the track, which features a handpicked horn section and 10-member choir. He explains, “For me, it’s the message of walking into this life and having some fear and self-doubt, and the point where you grab onto something that you know is real, the silent and real things, the truth… Once you can wrap onto the truth then this fearlessness comes.”\u003c\/p\u003e\n\n\u003cp\u003eSince his 2013 debut, ‘Liquid Spirit’, which won the Grammy for Best Jazz Vocal Album, Gregory hasn't let down his legion of fans, whether collaborating with Disclosure on ‘Holding On’, releasing his dance hit ‘Liquid Spirit – Claptone Remix’ which became one of the most popular tracks in Ibiza, scoring another Grammy for ‘Take Me to the Alley’ (2016), or telling his life story through Cole's songbook. 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DownBeat once wrote, “It’s a testament to Blake’s abilities that he makes his presence felt in any context.” A frequent presence on Blue Note records over the past several years, Blake has contributed his strong, limber pulse and airy precision to multiple leader releases from Blue Note artists including Dr. Lonnie Smith’s Breathe (2021), All in My Mind (2018) and Evolution (2016) and Kenny Barron’s Concentric Circles (2018), the latter whose trio Blake has been a vital member for nearly 15 years.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    In The Beginning Was The Drum     \u003cbr\u003e\n2    Homeward Bound (For Ana Grace)     \u003cbr\u003e\n3    Rivers \u0026amp; Parks     \u003cbr\u003e\n4    Shakin' The Biscuits     \u003cbr\u003e\n5    Abiyoyo     \u003cbr\u003e\n6    On The Break     \u003cbr\u003e\n7    LLL     \u003cbr\u003e\n8    Steppin' Out\u003c\/p\u003e\n","brand":"Johnathan Blake","offers":[{"title":"Default Title","offer_id":44896925090073,"sku":"3843190","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/products\/SharedImage-126306.png?v=1681723050"},{"product_id":"absence-cd","title":"Absence: CD","description":"\u003cp\u003eThe acclaimed trumpeter \u0026amp; composer returns with album of music written \u0026amp; inspired by jazz legend Wayne Shorter. 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The album features special guests including vocalist Lauren Daigle \u0026amp; guitarist Gary Clark Jr.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    Come Back     \u003cbr\u003e\n2    Lie To Me     \u003cbr\u003e\n3    I’m Standing Here (feat. Gary Clark, Jr.)     \u003cbr\u003e\n4    What It Takes (feat. 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The Brooklyn-based tenor player from Santiago, Chile has garnered international recognition for her visionary work as a band leader, as well as her deeply meditative interpretation of language and vocabulary. 12 Stars grapples with concepts of childrearing, familial forgiveness, acceptance, and self-love, and was inspired by her deep interest in tarot. The album was produced by guitarist Lage Lund, who also performs as part of a remarkable quintet with Sullivan Fortner on piano and Fender Rhodes, Kush Abadey on drums, and Pablo Menares on bass.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e1. Falling\u003cbr\u003e\n2. Intuition\u003cbr\u003e\n3. Intro to Emilia\u003cbr\u003e\n4. Emilia\u003cbr\u003e\n5. The Bluest Eye\u003cbr\u003e\n6. The Fool\u003cbr\u003e\n7. 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The vocals are taken from Fela’s ‘Everything Scatter’, while the single represents the first time the duo have really honed in on incorporating their jazz sound and merging it with sounds from the motherland, including amapiano. The release coincides with Blue Lab Beats’ Grammy nomination for their work on the Angelique Kidjo album Mother Nature.\u003c\/p\u003e\n\n\u003cp\u003eAn album that has quite literally been years in the making, Motherland Journey is the result of tireless days in the studio - a celebration of pushing boundaries, taking risks and overcoming adversity. Out on 25th February, it will feature recent singles ‘Labels’ featuring Tiana Major9 and Kofi Stone, ‘Dat It’ featuring Kiefer, ‘Sensual Loving’ featuring Ghetto Boy and ‘Blow You Away (Delilah)’.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    Sky Reflections (Intro)     \u003cbr\u003e\n2    Labels Feat. 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Ross debuted on Blue Note with KingMaker, which was named one of the Best Jazz Albums of 2019 by The New York Times, with NPR calling it “a signal flare for a jazz generation just hitting its stride.” His 2020 album Who Are You? further solidified Ross’ standing as one of the leading lights of the current jazz scene.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    Prayer     \u003cbr\u003e\n2    Guilt     \u003cbr\u003e\n3    Choices     \u003cbr\u003e\n4    Wail     \u003cbr\u003e\n5    The Impetus (T0 Be And Do Better)     \u003cbr\u003e\n6    Doxology (Hope)     \u003cbr\u003e\n7    Benediction\u003c\/p\u003e\n","brand":"Joel Ross","offers":[{"title":"Default Title","offer_id":44896925876505,"sku":"3891818","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/products\/SharedImage-131924.png?v=1681727719"},{"product_id":"every-note-is-true","title":"Every Note Is True","description":"\u003cp\u003ePianist and composer Ethan Iverson has long celebrated both the rich tradition and continuous evolution of jazz. 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In the spring of 2000 she came to the attention of Bruce Lundvall, the head of Blue Note Records. Impressed by her grasp of the standards and her originality, Lundvall offered her a demo deal with the option for the label to extend this to a full album deal. Norah mixed up the record with a focus on originals she and her band had written rounded out with a few jazz standards she loved. The collection of 13 songs, recorded over three days at Sorcerer Sound in Soho was engineered by Jay Newland who had worked on Etta James’ Billie Holiday tribute record ‘Mystery Girl’. The band: the same as that she had been gigging with—Jesse Harris on guitar, Lee Alexander on bass, and Dan Reiser on drums. Adam Rogers and Tony Scherr played guitar on a few additional songs and tabla player Vikram Gosh joined for one cut on the demo. Lundvall signed Norah as a Blue Note artist off the back of the thirteen tracks submitted.\u003c\/p\u003e\n\n\u003cp\u003ePrior to cutting the album, the best of these demos were released as a limited-edition promotional EP, titled First Sessions. Norah and band started to play fewer and fewer straight jazz gigs turning their focus to original music while mixing in the covers and standards. Cassandra Wilson’s New Moon Daughter had been a favourite album of Norah’s and was a big inspiration for the kind of record she wanted to make so she asked Lundvall if she could work with producer Craig Street. Street agreed and they headed to Allaire Studios in upstate NY. Street brought in Bill Frisell and Kevin Breit on guitars, Brian Blade and Kenny Wollesen on drums, and Rob Burger on accordion and organ. Lee Alexander stayed on the bass, and Husky Höskulds, who had a love for vintage equipment and a knack for capturing a vibe on tape, recorded everything. 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Mardin and Jones chose the best of the demos and the Craig Street sessions—'Don’t Know Why’ and ‘Turn Me On’ from the demo sessions and ‘The Long Day Is Over,’ ‘Feeling The Same Way,’ and ‘Seven Years’ from the Allaire sessions, all with a few new overdubs and new mixes—and recorded nine additional songs in the same spirit of the demos, with the original trio of Harris, Alexander and Reisler, plus Brian Blade back on drums, Adam Levy on guitar, and Jenny Scheinman on violin.\u003c\/p\u003e\n\n\u003cp\u003eUltimately, all three sessions played a unique part in making the record what it ended up being: An eight-time Grammy Award®-winning album that Rolling Stone described as ‘One of the best debut albums of all time,’ that has gone on to sell close to 30 million units to date. ‘In the end I was so thankful that I got to explore a few different paths before putting them all together. No one, including the label, had any idea it would reach the success that it did. 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For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains at the height of his powers and as prolific as ever. Early on Lloyd saw how placing the improvised solo in interesting and original contexts could provoke greater freedom of expression and inspire creativity, and throughout his remarkable career he has searched for alternative ways to frame his improvisational skills.\u003c\/p\u003e\n\n\u003cp\u003eAs a sound seeker, Lloyd’s restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three albums with an overarching theme, each presenting him in a different trio setting—a Trio of Trios. The first album, Trios: Chapel (out June 24), features guitarist Bill Frisell and bassist Thomas Morgan. The second, Trios: Ocean (out August 26), features guitarist Anthony Wilson and pianist Gerald Clayton. 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For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains both at the height of his powers and as prolific as ever. Early on Lloyd saw how placing the improvised solo in interesting and original contexts could provoke greater freedom of expression and inspire creativity.\u003c\/p\u003e\n\n\u003cp\u003eAs a sound seeker, Lloyd’s restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three individual albums each presenting him in a different trio setting—a Trio of Trios. The first, Trios: Chapel, features Lloyd with guitarist Bill Frisell and bassist Thomas Morgan. The second, Trios: Ocean, with guitarist Anthony Wilson and pianist Gerald Clayton. 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John Clayton \u0026amp; Justin Brown     \u003cbr\u003e\n2    Elegia feat. John Clayton     \u003cbr\u003e\n3    Damunt de tu Només les Flors feat. MARO, John Clayton \u0026amp; Justin Brown     \u003cbr\u003e\n4    My Ideal 1     \u003cbr\u003e\n5    That Roy feat. Justin Brown     \u003cbr\u003e\n6    Rip feat. Justin Brown     \u003cbr\u003e\n7    Just A Dream feat. MARO     \u003cbr\u003e\n8    My Ideal 2     \u003cbr\u003e\n9    Peace Invocation feat. 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Turn it up loud to hear the widescreen young cousins of Guru’s landmark Jazzmatazz in full effect: top players from London, Chicago, and Melbourne seeking out new collaborations, new ways of working, or just new tunes, always coming back to that central truth – that we all need each other.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    Soccer96 - Visions Feat. Kieron Boothe     \u003cbr\u003e\n2    Byron Wallen - Closed Circle     \u003cbr\u003e\n3    Jake Long - Crescent (City Swamp Dub     \u003cbr\u003e\n4    Matters Unknown - Eloquence Feat. Miryam Solomon     \u003cbr\u003e\n5    Zeitgeist Freedom Energy Exchange - Isa Feat. Noah Slee     \u003cbr\u003e\n6    Neue Grafik - Black Feat. 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The organ great’s dynamic new album, Reboot, arrives upon the 50th anniversary of his 1972 Blue Note debut Two Headed Freap, which featured his memorable tune “Mystic Brew” that would later reach the ears of hip-hop fans around the world when A Tribe Called Quest sampled the track as the foundation of “Electric Relaxation” on their 1994 album Midnight Marauders.\u003c\/p\u003e\n\n\u003cp\u003eThe nine-song Reboot marks a fresh start for Foster, who has whipped up an omnidirectional brew of Hammond Organ Groove that, yes, pays homage to the past but more often reflects Ronnie’s restlessness for ushering in the new. Mightily hoisting the Blue Note organ torch, Foster gives thanks to the musical osmosis that was poured into him by all of the greats that preceded him. In the album’s liner notes, Ronnie makes sure to pay homage to one very important person in his life who passed away in 2021: “This album is dedicated to the memory of my brother, friend, Buffalo Homie and hero Dr. Lonnie Smith, who was one of the best in the world on the Hammond B3 organ.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    Reboot     \u003cbr\u003e\n2    Sultry Song II     \u003cbr\u003e\n3    Swingin’     \u003cbr\u003e\n4    J's Dream     \u003cbr\u003e\n5    Isn't She Lovely     \u003cbr\u003e\n6    Carlos     \u003cbr\u003e\n7    Hey Good Lookin’ Woman     \u003cbr\u003e\n8    After Chicago     \u003cbr\u003e\n9    After Conversation With Nadia\u003c\/p\u003e\n","brand":"Ronnie Foster","offers":[{"title":"Default Title","offer_id":44896927023385,"sku":"4549459","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/products\/SharedImage-136329_3953c2f9-bc2b-4eb3-b6d0-a92ccbb32a3f.jpg?v=1681723629"},{"product_id":"corridors-cd","title":"Corridors: CD","description":"\u003cp\u003eDrummer and composer Kendrick Scott presents Corridors, a striking new album that finds the Houston-born drummer and composer paring down to a trio featuring saxophonist Walter Smith III and bassist Reuben Rogers. The anticipated follow-up to A Wall Becomes A Bridge, Scott’s much-lauded 2019 release with his band Oracle, Corridors features eight original compositions and one new arrangement of a beloved tune from the Bobby Hutcherson canon. Born during lockdown, the record focuses on posing outward questions instead of inward contemplation. “I was thinking to myself, ‘How has life changed for everyone?’” says Scott, who began the writing process with a deceptively benign inquiry: What are people doing inside their homes? “From that question, the theme of corridors came to me,” he says, noting that the metaphor was in part inspired by a long corridor in his New York City apartment. “When you think of corridors, it really implies movement, going from one place to the next. But yet now everyone is stagnated inside them.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    What Day Is It?     \u003cbr\u003e\n2    Corridors     \u003cbr\u003e\n3    A Voice Through the Door     \u003cbr\u003e\n4    One Door Closes     \u003cbr\u003e\n5    Isn’t This My Sound Around Me?     \u003cbr\u003e\n6    One Door Closes, Another Opens     \u003cbr\u003e\n7    Your Destiny Awaits     \u003cbr\u003e\n8    Another Opens     \u003cbr\u003e\n9    Threshold\u003c\/p\u003e\n","brand":"Kendrick Scott, Reuben Rogers, Walter Smith III","offers":[{"title":"Default Title","offer_id":44896927056153,"sku":"4552187","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/files\/00602445521876.png?v=1772835488"},{"product_id":"four-cd","title":"Four: CD","description":"\u003cp\u003eTwo years after issuing his acclaimed trio album Valentine, GRAMMY Award-winning guitarist and composer Bill Frisell returns with Four, a stunning meditation on loss, renewal, and those mysterious inventions of friendship. Frisell’s third album for Blue Note Records since signing with the label in 2019 proffers new interpretations of previously recorded originals as well as nine new tunes. The session brings together artists of independent spirits and like minds: Blue Note stablemates Gerald Clayton on piano and Johnathan Blake on drums, and longtime collaborator Greg Tardy on saxophone, clarinet, and bass clarinet. “This combination of people had been floating around in the back of my mind since before the pandemic,” says the Brooklyn-based artist.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    Dear Old Friends (for Alen Woodard)     \u003cbr\u003e\n2    Claude Utley     \u003cbr\u003e\n3    The Pioneers     \u003cbr\u003e\n4    Holiday     \u003cbr\u003e\n5    Waltz For Hal Willner     \u003cbr\u003e\n6    Lookout For Hope     \u003cbr\u003e\n7    Monroe     \u003cbr\u003e\n8    Wise Women     \u003cbr\u003e\n9    Blues From Before     \u003cbr\u003e\n10    Always     \u003cbr\u003e\n11    Good Dog, Happy Man     \u003cbr\u003e\n12    Invisible     \u003cbr\u003e\n13    Dog on a Roof\u003c\/p\u003e\n","brand":"Bill Frisell","offers":[{"title":"Default Title","offer_id":44896927809817,"sku":"4552313","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/products\/SharedImage-142210.jpg?v=1681722886"},{"product_id":"view-with-a-room-cd","title":"View With A Room CD","description":"\u003cp\u003eGuitarist Julian Lage expands his horizons on View With A Room, a collection of 10 compelling original compositions that marks his second release for Blue Note Records. Having established a home base with his brilliant and deeply attuned trio of bassist Jorge Roeder and drummer Dave King—most recently heard on the guitarist’s acclaimed 2021 Blue Note debut Squint—Lage casts his gaze outward to discover new orchestrational possibilities with the addition of six-string icon Bill Frisell, who adds his inimitable voice to this absolutely stunning album.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    Tributary     \u003cbr\u003e\n2    Word for Word     \u003cbr\u003e\n3    Auditorium     \u003cbr\u003e\n4    Heart Is a Drum     \u003cbr\u003e\n5    Echo     \u003cbr\u003e\n6    Chavez     \u003cbr\u003e\n7    Temple Steps     \u003cbr\u003e\n8    Castle Park     \u003cbr\u003e\n9    Let Every Room Sing     \u003cbr\u003e\n10    Fairbanks     \u003cbr\u003e\n \u003c\/p\u003e\n","brand":"Julian Lage","offers":[{"title":"Default Title","offer_id":44896927842585,"sku":"4552835","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/files\/00602445528356.png?v=1773136267"},{"product_id":"blue-note-re-imagined-ii-cd","title":"Blue Note Re:imagined II CD","description":"\u003cp\u003eBlue Note Re:imagined will return in 2022 with a new 16-track compilation featuring fresh takes on music from the illustrious Blue Note vaults recorded by a heavyweight line-up of the UK jazz, soul and R\u0026amp;B scene’s most hotly-tipped rising stars. Arriving off the back of the widespread international success of the first volume, which topped jazz charts around the globe, Blue Note Re:imagined II once again infuses the spirit of the new UK jazz generation into the legendary label’s iconic catalogue, balancing the genre’s tradition with its future and reflecting the melting pot of talent and diversity within the current scene.\u003c\/p\u003e\n\n\u003cp\u003eAdditional tracks on the album will include funk-pop duo Franc Moody’s version of Donald Byrd’s Cristo Redentor, fast-emerging vocalist Cherise’s take on Norah Jones Sunrise, Maya Delilah covering Neil Young’s Harvest Moon, which was recorded by Cassandra Wilson on her 1995 Blue Note album Blue Moon Daughter, Birmingham-born pianist Reuben James’ reimagining of Wayne Shorter’s ballad Infant Eyes, London tuba player and Sons of Kemet member Theon Cross with a version of the Thelonious Monk\/Kenny Clarke composition Epistrophy, and 9-piece afro-jazz outfit Nubiyan Twist’s fresh spin on Donald Byrd’s Through The Noise (Chant 2).\u003c\/p\u003e\n\n\u003cp\u003eBlue Note is celebrated almost as much for its visionary album art as for its legendary recordings. 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Along the way, DOMi \u0026amp; JD BECK have sat in with Herbie Hancock and backed Thundercat, Ariana Grande, Eric André, and more; they also co-wrote “Skate” on .Paak’s GRAMMY-winning album with Bruno Mars as Silk Sonic.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e:\u003cbr\u003e\n1    LOUANA'S iNTRO     \u003cbr\u003e\n2    WHATUP     \u003cbr\u003e\n3    SMiLE     \u003cbr\u003e\n4    BOWLiNG (ft. Thundercat)     \u003cbr\u003e\n5    NOT TiGHT     \u003cbr\u003e\n6    TWO SHRiMPS (ft. Mac DeMarco)     \u003cbr\u003e\n7    U DON'T HAVE TO ROB ME     \u003cbr\u003e\n8    MOON (ft. Herbie Hancock)     \u003cbr\u003e\n9    DUKE     \u003cbr\u003e\n10    TAKE A CHANCE (ft. Anderson .Paak)     \u003cbr\u003e\n11    SPACE MOUNTAiN     \u003cbr\u003e\n12    PiLOT (ft. Snoop Dogg, Busta Rhymes \u0026amp; Anderson .Paak)     \u003cbr\u003e\n13    WOAH (ft. 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The album presents compelling Chambers originals including “Gazelle Suite,” “Ruth,” and “Caravanserai,” as well as vibrant interpretations of pieces by Vial, Kurt Weill, Joe Henderson, and Karl Ratzer.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    This Is New     \u003cbr\u003e\n2    Dance Kobina     \u003cbr\u003e\n3    Ruth     \u003cbr\u003e\n4    Caravanserai     \u003cbr\u003e\n5    City of Saints     \u003cbr\u003e\n6    Gazelle Suite     \u003cbr\u003e\n7    Intermezzo     \u003cbr\u003e\n8    Power To The People     \u003cbr\u003e\n9    Moon Dancer\u003c\/p\u003e\n","brand":"Joe Chambers","offers":[{"title":"Default Title","offer_id":44896928301337,"sku":"4598364","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/files\/00602445983643.png?v=1772835786"},{"product_id":"live-cookin-with-blue-note-at-montreux-cd","title":"Live: Cookin' with Blue Note at Montreux: CD","description":"\u003cp\u003eIn July 1973, Blue Note Records headed to Montreux, Switzerland to showcase several of the label’s stars at the Montreux Jazz Festival. Produced by Blue Note President George Butler, live albums all titled Live: Cookin’ with Blue Note at Montreux followed from vibraphonist Bobby Hutcherson, organist Ronnie Foster, flutist Bobbi Blue Note Records has announced a first-ever official release of Donald Byrd Live: Cookin’ with Blue Note at Montreux on what would have been the legendary trumpeter’s 90th birthday: December 9, 2022.Humphrey, and vocalist Marlena Shaw, but one of the performances by trumpeter Donald Byrd remained unreleased in the Blue Note vaults, until now.\u003c\/p\u003e\n\n\u003cp\u003eThat summer, Byrd was fresh off the release of his hit crossover fusion album Black Byrd, the first of his innovative and incredibly successful studio collaborations with producer Larry Mizell. But in a live setting the band had a rawer, harder edge, as this searing set attests. Byrd led a 10-piece band that included Larry Mizell on synthesizers, Fonce Mizell on trumpet and vocals, Allan Barnes on tenor saxophone and flute, Nathan Davis on soprano and tenor saxophone, Kevin Toney on electric piano, Barney Perry on electric guitar, Henry Franklin on electric bass, Keith Killgo on drums, and Ray Armando on congas and percussion. The set list includes Larry Mizell’s tune “Black Byrd” along with otherwise unrecorded Byrd originals like “The East,” “Kwame,” and “Poco-Mania,” as well as an excellent cover of Stevie Wonder’s “You’ve Got It Bad Girl.”\u003c\/p\u003e\n\n\u003cp\u003eLarry Mizell: “My brother Fonce and I were invited by Blue Note Records (President George Butler \u0026amp; Donald Byrd) to travel with the Blue Note artist roster to attend and perform at the 1973 Montreux Jazz Festival. At the time, Donald Byrd’s ‘Black Byrd’ album was a big success for Blue Note, along with Bobbi Humphrey’s ‘Blacks and Blues.’ The American Airlines plane was playing various cuts from ‘Black Byrd’ as part of the cabin music. The plane ride over was fun, energetic, and wild. The stewardesses were pleading for the passengers to go back to their seats as the aisle was packed with non-stop exuberance.”\u003c\/p\u003e\n\n\u003cp\u003eDon Was, President, Blue Note Records: “Shortly after Mr. Byrd's passing in 2013, we got an email from the noted British music icon, Gilles Peterson, inquiring about a legendary performance from 1973's Montreux Jazz Festival. Inexplicably, the tapes had been tucked away in the Blue Note vaults. When we listened, we were knocked out: the 16-track, 2” analog master tapes revealed a more raw and gritty side of Donald Byrd's 70's music. As a special tribute to this Jazz Immortal and as a gift to the legions of aficionados who, like all of us at Blue Note Records, treasure the music he's left behind, we are honored to present - on vinyl and CD for the first time - Donald Byrd, Live at Montreux from July 5, 1973.”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\n1    Black Byrd (Larry Mizell)     \u003cbr\u003e\n2    You’ve Got It Bad Girl (Stevie Wonder)     \u003cbr\u003e\n3    The East (Donald Byrd)     \u003cbr\u003e\n4    Introductions     \u003cbr\u003e\n5    Kwame (Donald Byrd)     \u003cbr\u003e\n6    Poco-Mania (Donald Byrd)\"\u003c\/p\u003e\n","brand":"Donald Byrd","offers":[{"title":"Default Title","offer_id":44896928399641,"sku":"4599839","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/files\/00602445998395.png?v=1773079327"},{"product_id":"take-me-to-the-alley-standard-cd","title":"Take Me to the Alley - Standard CD","description":"\u003cp\u003eGrammy award-winning Gregory Porter returns with Take Me to the Alley, the much-anticipated follow-up to his 2013 Platinum album Liquid Spirit. The coolest guy in music, the album features a reworked version of ‘Holding On’, the track Gregory co-wrote with electronic act Disclosure, as well as autobiographical songs including ‘Don’t Lose Your Steam’ and title track ‘Take Me To The Alley’, both written with his family in mind.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003cbr\u003e\u003c\/strong\u003e1. Holding On (5.01)\u003cbr\u003e2. Don’t Lose Your Steam (3.17)\u003cbr\u003e3. Take Me To The Alley (5.16)\u003cbr\u003e4. Day Dream (3.51)\u003cbr\u003e5. Consequence Of Love (3.20)\u003cbr\u003e6. In Fashion (4.34)\u003cbr\u003e7. More Than A Woman (3.31)\u003cbr\u003e8. In Heaven (4.18)\u003cbr\u003e9. Insanity (5.37)\u003cbr\u003e10. Don't Be A Fool (4.31)\u003cbr\u003e11. Fan The Flames (4.12)\u003cbr\u003e12. French African Queen (3.44)\u003c\/p\u003e","brand":"Gregory Porter","offers":[{"title":"Default Title","offer_id":44897176650009,"sku":"4781443","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/0487\/0425\/products\/SharedImage-98542_e2b9b6f1-9fc9-44f8-b1b6-883a26902484.png?v=1706118063"},{"product_id":"the-complete-birth-of-cool","title":"The Complete Birth Of Cool","description":"\u003cp\u003eIn honor of the 70th anniversary of its original singles in 1949, The Complete Birth of the Cool by Miles Davis is being released on 2LP. The record features Miles Davis’ classic Birth of the Cool as well as a second LP of live material from 1948, previously unreleased on vinyl. The package features a wrapped gatefold jacket with laminated coating, as well as a brand new retrospective essay by Ashley Kahn, the author of Kind of Blue: The Making of the Miles Davis Masterpiece. Legendary Jazz saxophonist Gerry Mulligan and Jazz historian Phil Schaap provide liner notes on the project, which were originally published in 1998. The first LP is mastered from analog tape of the original singles for the first time since the original Birth of the Cool release in 1957.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Studio Sessions\u003c\/p\u003e\n\n\u003cp\u003e1. Move \u003cbr\u003e\n2. Jeru \u003cbr\u003e\n3. Moon Dreams \u003cbr\u003e\n4. Venus De Milo \u003cbr\u003e\n5. Budo \u003cbr\u003e\n6. Deception \u003cbr\u003e\n7. Godchild\u003cbr\u003e\n8. Boplicity \u003cbr\u003e\n9. Rocker  \u003cbr\u003e\n10. Israel \u003cbr\u003e\n11. Rouge \u003cbr\u003e\n12. Darn That Dream \u003c\/p\u003e\n\n\u003cp\u003eThe Live Sessions\u003c\/p\u003e\n\n\u003cp\u003e1. Birth Of The Cool Theme\u003cbr\u003e\n2. Symphony Sid Announces The Band \u003cbr\u003e\n3. Move  \u003cbr\u003e\n4. 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